The other reason Epstein cited was feature touted by Adobe’s Mooney-the ability of Premiere Pro to work natively with virtually any file format imaginable. Epstein feels that the synchronicity between the products helps him and his team streamline production and work more efficiently. The two worked OK together, but since After Effect and Premiere Pro are both Adobe products, and they’re both part of the Creative Cloud suite, they’re designed to work together. The first reason is that even when using Final Cut, he also used Adobe After Effects. That all sounds very exciting-or very stressful, depending on how you like to function-but why Premiere Pro? Epstein told me that he previously relied on Apple’s Final Cut, but switched to Adobe Premiere Pro for a couple reasons. In the case of this particular video, Epstein told me the production team was down to the wire-literally producing the finished product only seconds ahead of the feed streaming live to TV viewers. The initial edit has to be ready for dress rehearsal, and then the team has about an hour and a half to revise and edit the clip based on feedback from the dress rehearsal before the show goes live. The video has to be ready to be aired by Saturday night.Įpstein got about an hour and a half of sleep, and then got to work editing the video footage using Premiere Pro. Shooting of the video began on Friday…and went into the early morning hours of Saturday. Thursday was spent in pre-production, building sets and making costumes. Epstein explained to me that for the New Horror Trailer video, the team got the script on Wednesday.
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